west end blues

Among the many high-caliber works from the Armstrong canon are “West End Blues,” “St. West End Blues is an example of his mastery of the trumpet. This recording was inducted in the Grammy Hall of Fame in 1979. It remains this way until the piano cue, but the piece still finishes homophonically. "[10] The final chorus is dominated by a four-bar (12-second) long high Bb note played by Armstrong. The number is closed by the metallic click of drummer Zutty Singleton's cymbals. Not only is it the version that cemented the tune in popular consciousness, it helped define what jazz could be. [2] On January 16, 1929, Oliver recorded the song again, borrowing from the Hot Five arrangement, though at a quicker tempo. Louis Armstrong during a concert in Paris, June 1965. The texture moves to homophonic when the tonic chord is played and the band enters. The piece starts of with a trumpet solo which means it is monophonic. 'West End Blues' is the single greatest jazz recording of the pre-swing era. Lyrics to "West End Blues" on Lyrics.com. "West End Blues" became a sensation. Home Music Features West End Blues. The singer Billie Holiday wrote in her autobiography, "Sometimes the record would make me so sad, I'd cry up a storm. By far the best known recording of "West End Blues" is the 3-minute-plus, 78 rpm recording made by Louis Armstrong and His Hot Five on June 28, 1928. "West End Blues" is a multi-strain twelve-bar blues composition by Joe "King" Oliver. He recorded the song several times in 1928, first with vocalist Ethel Waters, then with Irene Mims, aka Hazel Smith (with King Oliver playing trumpet),[2] then again with Katherine Henderson.[3]. Fruity but not fruit-forward, grounded in chocolate and sparkling with zesty notes of baking spices and tea, WEB shines when combined with milk but stands on its own as a killer drip coffee. – 21 Format: Vinyl, LP, Compilation Country: France Released: Genre: Jazz, Blues. hide caption. West End Blues: the Very Best of the Hot Fives & Hot Sevens by Louis Armstrong (2005-09-12) [12], Armstrong recorded several later versions of "West End Blues", including for the 1947 film New Orleans and with his All Stars in the 40s.[13]. One jazz composition of the 1920s was Louis Armstrong’s performance of West End Blues. Through the song, quite a few improvised solos are given, including one to Fred Robinson on trombone, another to Earl Hines on piano, and lastly to Armstrong once … Standing on the Corner (Blue Yodel No. "West End Blues" was not an especially memorable composition by the standards of the Roaring '20s or later decades. "West End Blues" was a sleepy Southern blues tune written by Joe "King" Oliver until it landed in the hands of trumpeter Louis Armstrong in the late 1920s, at a … AFP/AFP/Getty Images King Oliver ‎– West End Blues Label: CBS ‎– 63610 Series: Aimez-Vous Le Jazz / Do You Like Jazz ? 9), Louis Armstrong Hot Five and Hot Seven Sessions, Louis Armstrong New Orleans International Airport, https://en.wikipedia.org/w/index.php?title=West_End_Blues&oldid=1004016708, Wikipedia articles with MusicBrainz work identifiers, Wikipedia articles with multiple identifiers, Creative Commons Attribution-ShareAlike License, This page was last edited on 31 January 2021, at 18:57. [7] In addition, Lil Hardin Armstrong later explained that this introduction stemmed from trumpet exercise books that she and Louis had drilled. Size 10.0 Source 78 User_cleaned Kevin Coupe User_metadataentered Robert Boggs User_transferred Robert Boggs MAKING IT ISN'T. By the time Oliver wrote "West End Blues," his protege, Louis Armstrong, had moved on from their band to play with other orchestras. A previous Web version of this story misstated the first name of the banjo player Mancy Carr as Manny. February 12, 2021. Size 10.0 Source 78 User_cleaned Kevin Coupe User_metadataentered Chris Guest User_transferred Chris Guest Armstrong plays trumpet and sings, backed by a band including pianist Earl Hines, clarinetist Jimmy Strong, trombonist Fred Robinson, banjoist Mancy Carr and drummer Zutty Singleton on hand cymbals. The rest of the song is sheer delight, like … It is most commonly performed as an instrumental, although it has lyrics added by Clarence Williams. Trumpeter Wingy Manone says that one night, after Armstrong played it, the ecstatic audience literally carried him from the bandstand in triumph. It is most commonly performed as an instrumental, although it has lyrics added by Clarence Williams. personnel: Louis Armstrong, trumpet and vocal; Fred Robinson, trombone; Jimmy Strong, clarinet; Earl Hines, piano; Mancy Cara, banjo; Zutty Singleton, drums What to Listen For: Armstrong as trumpet soloist and scat vocalist THE INDY IS FREE. Less than three weeks after Oliver recorded "West End Blues," Armstrong recorded his own version. West End Blues is in 12-bar blues. For musicians who know something of Armstrong's life in New Orleans, the beauty of his playing and the cheerfulness of his character are all the more inspiring, because in his horn, they hear his story: an illegitimate child born into the lowest caste in society, his mother a prostitute, his job delivering coal to Storyville strumpets.

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