double entendre blues songs

It was also the group's first recorded usage of a double entendre in a song title. January 23, 2021 Uncategorized 0. All of us can’t stop harping about the good old days, where everything from food to music was unbeatable. But before these more innocuous songs would grace integrated radio in the late-1950s, early-50s African-American R&B took quite a few liberties with song content, and double entendres ruled the day. In fact, we also recently did a listicle, based on public demand on bands and artists that made us groove. Double Entendre Blues Double Entendre Blues . He purposely excludes words that were coined by songwriters for the purposes of their songs (concluding, for example, that the use of the ever-popular "lemon" as a double-entendre … After all, kids these days will never understand what we had in our childhood. As a result, there are a number of songs from the period that are surprisingly suggestive, given the state of American music in the 1950s. All these songs are about (or heavily reference) historical events, and are listed in alphabetical order by song title. It has been covered by a number of different artists, and has been rated as one of the best double entendre songs of all time. But that's not why I'm writing. "Big Long Slidin' Thing" is a 1954 rhythm and blues song written by Eddie Kirkland and Mamie Thomas, sung by Dinah Washington, and arranged by Quincy Jones. to our filthy 50 countdown. Country music is known for the occasional double entendre, but some songs don't even try to be subtle. E/E7 . Shockingly, they also won’t be served double meaning and lyrics with hidden messages like we were. It's by far the naughtiest track here, and the perfect climax (sorry!) And we saved the best for the very end: Lucille Bogan's notorious 1935 "Shave 'Em Dry," which doesn't waste time messing around with any kind of double entendre. His repertoire extended from pre-blues dance and song to poignant and rowdy blues to inspired double-entendre." double entendre examples in music. How inspired his double entendres were can be gained from a quick study of some of the titles of his songs: Banana in Your Fruit Basket (1931): Please Warm my Wiener Leiber and Stoller wrote the song "Hound Dog" in 12 to 15 minutes, with Leiber scribbling the lyrics in pencil on ordinary paper and without musical notation in the car on the way to Stoller's apartment. I like the lyric, Steve, and I'm going to be trying the song, even though the chords are beyond my comfort zone. R&B expert George A. Moonoogian concurs, calling it "a biting and scathing satire in the double-entendre genre" of 1950s rhythm and blues.

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