winin' boy blues meaning

Two years later he went to California with bandleader William Manuel Johnson and Johnson's sister Anita Gonzalez. When he was in the hospital, doctors left ice on his wounds for several hours before attending to the injury. [8][9] While working there, he was living with his churchgoing great-grandmother. Request Chords. He briefly had a radio show in 1934, then toured in a burlesque band. “Lomax Collection.” [Stavin’ Chain playing guitar and singing the ballad “Batson,” Lafayette, La. Dm G7 Dm G7 Cmaj7 I'm the winin' boy, don't deny my name. Winin' Boy Blues (Attila's International All Stars at the 24th Bohém Festival) Request Chords. I’m the winin’ boy, don’t deny my name. He played basic swing rhythms with both the left and the right hand. Hours of research can be done unpacking and contextualizing the lyrics from this music. Whining boy, don't deny my name
Just a whining boy, I said don't deny my name
Whining boy, don't deny my name
Pick it up and shake it like sweet baby Jane
Whining boy, don't deny my name
Well, mama, mama, come and take a look at little sis
I said, mama, mama, come and … Guitar Tabs Universe He said Buddy Bolden played ragtime but not jazz, a view not accepted by some of Bolden's contemporaries in New Orleans. However, Morton may not have known his actual birthdate, and there remains the possibility that he was telling the truth. Lomax: Popular around New Orleans as well. whinin' boy Cf. Ferdinand Joseph LaMothe (September 20, c. 1890 – July 10, 1941), known professionally as Jelly Roll Morton, was an American ragtime and jazz pianist, bandleader, and composer. "Winin' Boy Blues" 3:45: 2. [18], Due in part to the Great Depression, RCA Victor did not renew Morton's recording contract for 1931. In the first song recorded during these sessions, Winin’ Boy Blues, Morton sings the lines, I can pick it up and shake it like Stavin’ Chain’s, (Caution: this song contains some of the most explicit lyrics I’ve ever heard). He convinced her that he worked as a night watchman in a barrel factory. Winin Boy Blues by Hugh Laurie Chords Different Versions Chords, Tab, Tabs. Morton often played the melody of a tune with his right thumb, while sounding a harmony above these notes with the fingers of the right hand. One accurate version. His recovery from his wounds was incomplete, and thereafter he was often ill and became short of breath easily. Don't deny my name, deny my name. "Doctor Jazz" (2005). Some say it is a tool used to make barrels. Jelly Roll: A colored one. [14] Morton returned to Chicago in 1923 to claim authorship of "The Wolverines", which had become popular as "Wolverine Blues". Billboard Hot 100. [6] His parents were Edward Joseph (Martin) Lamothe, a bricklayer, and Louise Hermance Monette, a domestic worker. After Morton's grandmother found out he was playing jazz in a brothel, she disowned him for disgracing the Lamothe name. FAVORITE (0 fans) Jelly Roll Morton. Accessed October 02, 2017. http://www.loc.gov/pictures/collection/lomax/item/2007660070/. Lomax, Alan 1915-2002. January 01, 1970. His father left his mother when Morton was three (they were never married). [2] His composition "Jelly Roll Blues", published in 1915, was one of the first published jazz compositions. (fiddler in the background)]. Stride pianists James P. Johnson and Willie "The Lion" Smith saw him perform in Chicago in 1910 and New York City in 1911. Jelly Roll: Yeah, at one time it was. Lyrics. What exactly is a Stavin’ Chain? View credits, reviews, tracks and shop for the 1941 Shellac release of Oh, Didn't He Ramble / Winin' Boy Blues on Discogs. He was transported to a black hospital farther away. Lomax: Supposedly good looking. Discover releases, reviews, track listings, recommendations, and more about Jelly-Roll Morton's New Orleans Jazzmen* - Oh, Didn't He Ramble / Winin' Boy Blues at Discogs. I'm the winin' boy. F#. "Winin' Boy Blues," by Jelly Roll Morton. The article was reproduced in Mister Jelly Roll (University of California Press, 1950), a biography of Morton by Alan Lomax. Morton's tango "The Crave" was popular in Hollywood. 2:00. Don't deny my name. Jelly Roll: Yes, I like the tune, I can’t, couldn’t  memorize the tune, you know… To my ear, this "Winin' Boy Blues" is, musically, the best of the four volumes. Mmm, I'm the winin' boy. If we read the words that he himself wrote, however, we learn that he almost had an inferiority complex and said that he created his own style of jazz piano because 'All my fellow musicians were much faster in manipulations, I thought than I, and I did not feel as though I was in their class.' [25] An article about the funeral appeared in the August 1, 1941 issue of DownBeat and reported that his pallbearers were Kid Ory, Mutt Carey, Fred Washington, and Ed Garland. Stavin’ Chain was famous for his sexual prowess became a legend in the American blues scene. Accessed October 02, 2017. https://www.youtube.com/watch?v=iwxP8uT-zQ4. "The Pensacola Kid and the Cadillac Café" 7:57: 8. "The Preoccupations of Mr. Lomax, Inventor of the 'Inventor of Jazz. In 1935, his 30-year-old composition "King Porter Stomp", arranged by Fletcher Henderson, became Benny Goodman's first hit and a swing standard, but Morton received no royalties from the recordings. “Winin’ Boy Blues.” Community Guitar Home. His New York sessions failed to produce a hit. He continued playing in New York but struggled financially. There were songs by Lil Johnson (Stavin’ Chain) and “Big” Joe Williams (Stavin’ Chain Blues) that refer to Stavin’ Chain. Let’s see… that was around….19….8. In 1938, Morton was stabbed by a friend of the Music Box's owner and suffered wounds to the head and chest. For being able to do this, we owe much gratitude to Alan Lomax for preserving this music for future study and enjoyment. His songs "Jelly Roll Blues", "New Orleans Blues", "Frog-I-More Rag", "Animule Dance", and "King Porter Stomp" were composed during this period. Both parents traced their Creole ancestry four generations to the 18th century. The phrase Stavin’ Chain stood out to me. Don't deny my name. These recordings by Jelly Roll Morton and His Red Hot Peppers included Kid Ory, Omer Simeon, George Mitchell, Johnny St. Cyr, Barney Bigard, Johnny Dodds, Baby Dodds, and Andrew Hilaire. [10] "When my grandmother found out that I was playing jazz in one of the sporting houses in the District, she told me that I had disgraced the family and forbade me to live at the house...She told me that devil music would surely bring about my downfall...."[10] The cornetist Rex Stewart recalled that Morton had chosen "the nom de plume 'Morton' to protect his family from disgrace if he was identified as a whorehouse 'professor'. Lomax conducted longer interviews, taking notes but not recording. According to the jazz historian David Gelly in 2000, Morton's arrogance and "bumptious" persona alienated so many musicians that few of them attended his funeral. 3:25. Luckily, I was able to find an interview between Lomax and Morton about this very subject in Jelly Roll Morton: The Complete Library of Congress Recordings. Blues Identifier 78_winin-boy-blues_jelly-roll-morton-sidney-bechet-sidney-deparis-claude-jones-albert_gbia0264248b Location USA Scanner Internet Archive Python library 1.9.4 Scanningcenter George Blood, L.P. Morton's playing was also close to barrelhouse, which produced boogie-woogie.[26]. 2:56. Sheet music arranged for Piano/Vocal/Guitar, and Singer Pro in C Major. All are interesting historically. Morton was master of ceremonies, bouncer, and bartender. "Boogie Woogie Blues" 4:21: 4. A7 E7 A7 E7 Winin' boy, (don't) deny my name, Dm7 A7 Dm Dm / A Pick it up and shake it like a stavin' chain. Winin' Boy Blues Jelly Roll Morton Buy This Song. Chords Diagrams. [17] Although he had trouble finding musicians who wanted to play his style of jazz, he recorded with Omer Simeon, George Baquet, Albert Nicholas, Barney Bigard, Russell Procope, Lorenzo Tio and Artie Shaw, the trumpeters Ward Pinkett, Bubber Miley, Johnny Dunn and Henry "Red" Allen, Sidney Bechet, Paul Barnes, Bud Freeman, Pops Foster, Paul Barbarin, Cozy Cole, and Zutty Singleton. Traditional blues from Jelly Roll Morton and his New Orleans Jazzmen with Sidney Bechet on Sax recorded 1939. When his mother married William Mouton in 1894, Ferdinand adopted his stepfather's surname, anglicizing it to Morton. Several of Morton's compositions were musical tributes to himself, including "Winin' Boy", "The Jelly Roll Blues" (subtitled "The Original Jelly-Roll"); and "Mr. Jelly Lord". "Winin' Boy Blues, continued" 4:24: 3. Because of the suggestive nature of the songs, some of the Library of Congress recordings were not released until 2005.[21]. All are interesting historically. I … ", Szwed, John. February 11, 2015. Recently Added. [1] Morton was jazz's first arranger, proving that a genre rooted in improvisation could retain its essential characteristics when notated. FAVORITE (1 fan) Hot Tuna. Yes No. Pick it up an' shake it like sweet stavin' chain. Morton also walked in major and minor sixths in the bass, instead of tenths or octaves. Winin Boy Blues chords by Hugh Laurie. [20] During Morton's brief residency at the Music Box, the folklorist Alan Lomax heard him play. Subject: Lyr Add: WININ' BOY BLUES (Jelly Roll Morton) From: Jim Dixon Date: 18 Dec 05 - 10:06 PM The Red Hot Jazz Archive has two recordings of WININ' BOY BLUES performed by Jelly Roll Morton, with solo voice and piano only. WININ' BOY BLUES As recorded by Jelly Roll Morton's New Orleans Jazzmen on Bluebird 10429B, recorded 14-Sep-1939. Popular Song Lyrics. Jelly Roll: Stavin’ Chain, well he was a pimp. Winin' Boy Blues In 1938, folklorist Alan Lomax and New Orleans musical icon Joseph Ferdinand "Jelly Roll" Morton came together to produce the first major recorded oral history of early jazz. Also recorded by Hot Tuna, and I have Janis Joplin doing it on a record. June 02 2015. (See below for a lyric). Several of Morton's compositions were musical tributes to himself, including "Winin' Boy", "The Jelly Roll Blues" (subtitled "The Original Jelly-Roll"); and "Mr. Jelly Lord". The law requiring birth certificates for citizens was not enforced until 1914. "The First Hot Arrangements" 9:00: 7. Winin' Boy Blues (Live) Hot Tuna Top Hot Tuna Lyrics Know You Rider Song From The Stainless Cymbal Easy Now Serpent Of Dreams Sea Child Ode For Billy Dean New Song Living Just For You Letter To The North Star I See The Light Upcoming Lyrics. Their recording session resulted in a 9-hour collection of Jelly Roll Morton songs and interviews between Morton and Lomax. Whinin Boy This note from a reader: From dod4@aber.ac.ukWed Jan 31 16:13:49 1996 Date: Mon, 22 Jan 1996 11:33:59 +0000 From: dod4@aber.ac.uk This might be attributed, in part, to Morton's having loosened up with whiskey by this stage in the interview. This version includes the intro and all the cool little riffs in between verses - no solo (sorry). At the age of fourteen, Morton began as a piano player in a brothel. Play Advices. Wining Boy Blues Jelly Roll Morton, 1938 The title is a reference to the singer being a fast-living man of great, sexual prowess. “Jelly Roll Morton – Winin’ Boy Blues – Library of Congress 1939.” YouTube. "When the Hot Stuff Came In" 8:40: 6. Stavin’ Chain, also known as Wilson Jones, was an American blues musician that Lomax photographed and recorded in 1934. Hugh Laurie - Winin` Boy Blues Lyrics. A nearby whites-only hospital refused to treat him, as the city had racially segregated facilities. [19], In 1935, Morton moved to Washington, D.C. to become the manager and piano player at a bar called, at various times, the Music Box, Blue Moon Inn, and Jungle Inn, in Shaw, an African-American neighborhood. Their recording session resulted in a 9-hour collection of Jelly Roll Morton songs and interviews between Morton and Lomax. To my ear, this "Winin' Boy Blues" is, musically, the best of the four volumes. [20] Worsening asthma sent him to a hospital in New York for three months. Lomax: What what did you hear about him, this is very interesting cause, you know, they have a song about Stavin’ Chain I'm the winin' boy, don't deny my name I'm the winin' boy, don't deny my name Deny my name, winin' boy, don't deny my name Pick it up, shak. [16], After Morton moved to New York City, he continued to record for Victor. As it turns out, Lomax knew this Stavin’ Chain character that Morton was singing about. Yes, I'm the winin' boy. He continued to suffer from respiratory problems when he travelled to Los Angeles with the intent to restart his career. Although reluctant to record these, Morton obliged Lomax. It plays acoustic and electric versions of original and traditional blues songs. – Quoted in John Szwed, Dr. One man claimed that it’s an expression for having sex. His gravesite features a large rosary, rather than any music imagery.[22]. Lomax: Did you actually know Stavin’ Chain? [5] Morton's birth date and year of birth are uncertain, given that no birth certificate was ever issued for him. “Bad Men and Pimps.” YouTube. Morton's claim to have invented jazz in 1902 was criticized. The earlier one was recorded in Washington DC, in December, 1938. Morton's piano style was formed from early secondary ragtime and "shout", which also evolved separately into the New York school of stride piano. In 1938, American ethnomusicologist Alan Lomax and the self-proclaimed inventor of jazz Jelly Roll Morton came together to lay down the definitive timeline for the birth of jazz. Lomax: And what about Stavin’ Chain? *Cmaj7 arpeggio ending on the 8th fret of the high E* Verse II Dm G7 Dm G7 Cmaj7 G7 Cmaj7 G7 mama mama, come here and look at sis. Author Mark Miller described his arrival as "an extended period of itinerancy as a pianist, vaudeville performer, gambler, hustler, and, as legend would have it, pimp". Chords: A. D. G. B. F#m. Taken from the recording Bad Men and Pimps. Morton claimed to have written some tunes that were copyrighted by others, including "Alabama Bound"[27] and "Tiger Rag". [12], In 1912–14, Morton toured with his girlfriend Rosa Brown as a vaudeville act before living in Chicago for three years. Accessed October 02, 2017. https://www.youtube.com/watch?v=fxkvu_gWlQI. Music 345: Race, Identity, and Representation in American Music, The Accordion: Quintessential American Instrument. This might be attributed, in part, to Morton's having loosened up with whiskey by this stage in the interview. Jelly Roll:  No, I heard everybody talk about him, never get into his way… Hot Tuna is an American blues-rock band formed by bassist Jack Casady and guitarist Jorma Kaukonen as a spin-off of Jefferson Airplane. Recommended by The Wall Street Journal He died on July 10, 1941, after an eleven-day stay in Los Angeles County General Hospital. In these interviews, Morton claimed to have been born in 1885. Morton compares himself to ‘Stavin’ Chain’, in the second chorus. '", Pareles, Jon (1989). In 1915 "Jelly Roll Blues" was one of the first jazz compositions to be published. He was a "very devout Catholic", according to Anita Gonzales, his longtime companion. I’ve found that American blues music is one with an extremely rich history and is full of similar, obscure references. Mmm-hmm, don't deny my name. Others claimed that Stavin’ Chain is a figure in African-American folklore famous for conducting trains. From browsing various blues forum websites, I have found a variety of interpretations to what a Stavin’ Chain is. The sessions were intended to be a short interview with musical examples for researchers at the Library of Congress, but the sessions expanded to over eight hours, with Morton talking and playing piano. The Music Box interviews were released posthumously as boxed set and won two Grammy Awards. Upon investigation, I found that this is not the only instance of a blues/jazz singer singing about Stavin’ Chain. Women was supposed to be crazy about him. In the first song recorded during these sessions, Winin’ Boy Blues, Morton sings the lines. [13] He was invited to perform at the Hotel Patricia nightclub in Vancouver, Canada. In May 1938, Lomax invited Morton to record music and interviews for the Library of Congress. [23] Lomax disagreed that Morton was an egotist. Print and download Winin' Boy Blues sheet music by Hugh Laurie. Accessed October 3, 2017. http://www.communityguitar.com/students/Songs/WininBoy.htm. The club owner allowed her friends free admission and drinks, which prevented Morton from making the business a success. Throughout these wonderful recordings — now available as the boxed set shown left — Morton shares stories and solo vocal-piano renditions of his music. Jazz.[24]. SKU: MN0097466 The contradictions may stem from different definitions of "ragtime" and "jazz". Like a lot of dirty blues that were popular in oral tradition, it was cleaned up and published when blues caught on in the teens, with competing sheet music versions appearing in 1915 by W. C. Handy, the self-proclaimed “Father of the Blues,” and the white team of Scott Middleton and Billy Smythe. 331 views, added to favorites 5 times. [7] He often sang smutty lyrics and used the nickname "Jelly Roll", which was African-American slang for female genitalia. "[1] Gunther Schuller says of Morton's "hyperbolic assertions" that there is "no proof to the contrary" and that Morton's "considerable accomplishments in themselves provide reasonable substantiation".[3]. [15], In 1926, Morton signed a contract with the Victor Talking Machine Company, giving him the opportunity to bring a well-rehearsed band to play his arrangements in the Victor recording studios in Chicago. Winin' Boy Blues Lyrics: Traditional/Jelly Roll Morton Music: Traditional/Jelly Roll Morton Played by Bob Weir with Jerry Garcia, Phil Lesh and Mickey Hart as "Bob Weir & Friends" on 17 November 1978 at a Hunger Week Benefit in Chicago. Ferdinand Joseph LaMothe (October 20, 1890 – July 10, 1941), known professionally as Jelly Roll Morton, was an American ragtime and early jazz pianist, bandleader and composer … Morton was born Ferdinand Joseph LaMothe into the Creole community[4] in the Faubourg Marigny neighborhood of New Orleans around 1890, and he claimed to have been born in 1885. Whining Boy Blues … Tuning: E A D G B E. Author alinchausti [a] … Loyola College, Chicago, Illinois, November 17, 1978 Winin' Boy Blues Tom Dooley This Time Forever Deep Elem Blues KC Moan Knockin' On Heaven's Door Big Boy Pete Jack-A-Roe Dark Hollow Oh Boy So he used a slower tempo to permit flexibility through the use of more notes, a pinch of Spanish to give a number of right seasoning, the avoidance of playing triple forte continuously, and many other points". Lomax: Good tune, too. "Sweet Peter", which Morton recorded in 1926, appears to be the source of the melody of the hit song "All of Me," which was credited to Gerald Marks and Seymour Simons in 1931, His musical influence continues in the work of Dick Hyman,[28] David Thomas Roberts,[29] and Reginald Robinson. This could add a rustic or “out-of-tune” sound due to the playing of a diminished 5th above the melody. Complete your Jelly-Roll Morton's New Orleans Jazzmen* collection. [1] Music critic Scott Yanow wrote, "Jelly Roll Morton did himself a lot of harm posthumously by exaggerating his worth...Morton's accomplishments as an early innovator are so vast that he did not really need to stretch the truth. Enjoy! Winin’ Boy / Winding Ball (Jelly Roll Morton) December 9, 2017 Elijah Wald I learned this from Dave Van Ronk, who got it from Jelly Roll Morton, and it’s at this point in the Songobiography because my trip south in 1985 included a brief stint with a trad jazz band in Charleston, SC. This technique may still be recognized as belonging to New Orleans. Winin' Boy Blues Hot Tuna Buy this song. "New Orleans Sauce for Jelly Roll Morton: 'He Was the First Great Composer and Jazz Master', Tribute to Jelly Roll Morton. Morton married Mabel Bertrand, a showgirl, in November 1928 in Gary, Indiana. "Buddy Bertrand's Blues, continued / Mamie's Blues" 4:25: 5. Liner notes to, This page was last edited on 8 February 2021, at 01:21. After this incident, his wife Mabel demanded they leave Washington. "In being called a supreme egotist, Jelly Roll was often a victim of loose and lurid reporting. In 2013, Katy Martin published an article arguing that Alan Lomax's book of interviews put Morton in a negative light. Morton also wrote "King Porter Stomp", "Wolverine Blues", "Black Bottom Stomp", and "I Thought I Heard Buddy Bolden Say", the last a tribute to New Orleans musicians from the turn of the 20th century. "At the Cadillac Café, Los Angeles" 9:54: 9. Top Lyrics of 2011. "[8], Around 1904, Morton started touring in the American south, working in minstrel shows such as Will Benbow's Chocolate Drops,[11] gambling, and composing. Key Variations. Was this info helpful? Duke Ellington and Jimmie Lunceford were absent, though both were appearing in Los Angeles at the time. By 1914, he was putting his compositions on paper. Supposed to have more women in this district than any other pimp. [30], American ragtime and jazz pianist, bandleader and composer, Detailed information, complete with charts, and drawing on the research of Lawrence Gushee, is available from Peter Hanley's, Learn how and when to remove this template message, "Jelly Roll Morton: On the Road, 1905–1917", "Jelly's blues : the life, music, and redemption of Jelly Roll Morton", "U Street Jazz – Performers – Prominent Jazz Musicians: Their Histories in Washington, D.C", "Library of Congress Recordings of Jelly Roll Morton Win at Grammys", The Complete Library of Congress Recordings, "The Man Who Made Jazz Hot; 60 Years After His Death, Jelly Roll Morton Gets Respect", Ferd Joseph Morton WWI Draft Registration Card and essay, Jelly Roll Morton at the Red Hot Jazz Archive, International Music Score Library Project, Discography of American Historical Recordings, https://en.wikipedia.org/w/index.php?title=Jelly_Roll_Morton&oldid=1005509507, Burials at Calvary Cemetery (Los Angeles), Grammy Lifetime Achievement Award winners, Articles lacking in-text citations from October 2015, Articles with Encyclopædia Britannica links, Articles with International Music Score Library Project links, Wikipedia articles with MusicBrainz identifiers, Wikipedia articles with PLWABN identifiers, Wikipedia articles with SELIBR identifiers, Wikipedia articles with SNAC-ID identifiers, Wikipedia articles with SUDOC identifiers, Wikipedia articles with WORLDCATID identifiers, Creative Commons Attribution-ShareAlike License, Ferdinand Joseph LaMothe (possibly spelled Lemott, LaMotte or LaMenthe). Pretty smooth blues. Apart from including the oft-quoted line which inspired W. C. Handy, Collins’ blues recalls Georgia blues man, Barbecue Bob and his “Easy Rider Don’t You Deny My Name” recorded the same year, and also the bawdy “Winin’ Boy Blues” which Jelly Roll Morton was to later immortalize for the Library of Congress. Morton scholars, such as Lawrence Gushee, say that Morton was aware that if he had been born in 1890, he would have been too young to claim to be the inventor of jazz. Stefan Grossman - Dallas Rag RARE VIDEO. During the same year, Morton was honored with the, Martin, Katy (2013). The soundtrack to the film Pretty Baby used many local New Orleans musicians playing in the jazz, ragtime, and blues style of the city in the early 20th century. Lomax: Was Stavin’ Man a white man or colored one? Della Mae - Nail that Catfish to a Tree - Live at Fur Peace Ranch. Jelly Roll: Yes, he………. [21] Lomax was interested in Morton's days in Storyville, New Orleans, and the ribald songs of the time. Size 10.0 Source 78 User_cleaned Kevin Coupe User_metadataentered Robert Boggs User_transferred Robert Boggs In the big-band era, his "King Porter Stomp", which Morton had written decades earlier, was a big hit for Fletcher Henderson and Benny Goodman; it became a standard covered by most other swing bands of that time. Jelly Roll: Well, you know, he slept like Stavin’ Chain. He released the first of his commercial recordings, first as piano rolls, then on record, both as a piano soloist and with jazz bands. Winnin Boy Blues Tab by Jorma Kaukonen with free online tab player.

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